Browse Items (15 total)

A photo of Peter Hooten, James Merrill's last partner. Their relationship started in 1983, when Hooten declared his love for Merrill "on Valentine's Eve," in Key West, Florida.

The bronzed death mask was Peter Hooten's idea, "but the juvenile author of "Death Masks"...would have appreciated it" (see Merrill's poem "Death Masks" in Love and Money, Publications).

James Merrill reads from "The Changing Light at Sandover" with Peter Hooten at Washington University's Simon Hall in 1994.

James Merrill reads from his piece "The Changing Light at Sandover," a poem based on his and David Jackson's experiences with their Ouija board seances, at the first James Merrill Symposium. He is accompanied here by Peter Hooten voicing the…

Hooten, Merrill, Yenser in a photo capturing a happy moment between the three.

Excerpt from Voices from Sandover, a play by James Merrill based on Merrill and David Jackson's Ouija board seances. The performance was staged at the Agassiz Theatre at Radcliffee College, produced by Peter Hooten, and directed by Joan Darling. The…

Cover and first 25 pages of theVoices from Sandovervideo script, final draft, with corrections. This was an expanded version of the dramatic reading/stage version. With Hooten's connections in the film industry, it was possible for "highly talented…

Cover page, title page and four sample pages from the limited edition chapbook of "Volcanic Holiday"--a "wary love poem" to Peter Hooten--with stanzas printed on separate sheets accompanied by etchings by Dorthea Tanning.

Flyer for a dramatic reading of Voices from Sandover at UCLA. This was a stage adaptation of Merrill's Ouija board epic, which Hooten and Merrill toured for one-night performances in New Jersey, Los Angeles and Detroit.

Flyer advertisingThe Image Maker, a one-act verse play for two actors about Santeria, the syncretic art and religion of the Caribbean. The play featured Hooten, puppets, and a subtext about James Merrill's mother.